Revision history for ReadingHypertext
Additions:
- [[http://www.cddc.vt.edu/journals/newriver/07Spring/moulthrop/radioSalience/index.htm | Radio Salience]]. Audio.
Additions:
- [[http://blog.tedgoranson.com/personal/blog_architecture.html | Blog Architechure]]. A stretchtext.
Deletions:
Deletions:
Additions:
- [[http://www.grammatron.com | Grammatron]]. Mark America
Additions:
Select one from below. Each offers a different take on hypertext. Take notes, and be ready to present what you find interesting and what connects to web content writing.
Deletions:
Additions:
All read:
Deletions:
Additions:
Allread:
Select one from below. Each offers a different take on hypertext.
Select one from below. Each offers a different take on hypertext.
Deletions:
-
-
Additions:
- [[http://scalar.usc.edu/anvc/the-knotted-line/index | The Knotted Line]]. A hypertext designed for education.
Deletions:
Additions:
- [[http://www.desvirtual.com/thebook/english/shelf.htm | The Book after the Book]]. "... a hypertextual and visual essay about cyberliterature and the net_reading/writing_condition. Its main focus is non-linear narratives, which reconfigure the literature/book relationship starting from the very notion of volume. Works that provide programming language a textual appraisal, creations that resort to videographic procedures in literary construction and play on the passivity and participation of the reader."
- [[http://www.thejewsdaughter.com/ | The Jew's Daughter]]. "... an interactive, non-linear, multi-valent narrative, a storyspace that is unstable but nonetheless remains organically intact, progressively weaving itself together by way of subtle transformations on a single virtual page."
- [[http://www.thejewsdaughter.com/ | The Jew's Daughter]]. "... an interactive, non-linear, multi-valent narrative, a storyspace that is unstable but nonetheless remains organically intact, progressively weaving itself together by way of subtle transformations on a single virtual page."
Deletions:
- [[http://www.thejewsdaughter.com/ | The Jew's Daughter]]. The Jew's Daughter is an interactive, non-linear, multi-valent narrative, a storyspace that is unstable but nonetheless remains organically intact, progressively weaving itself together by way of subtle transformations on a single virtual page.
Additions:
Select from below. Each offers a different take on hypertext.
- [[http://www.dkolb.org/twin.media.ht04/twinme_1/bookandh/alargear.html | A Large Argumentative Hypertext]]. Kolb. "Large, argumentative "single-author hypertexts that link to themselves" (Carter 2000, 86) pose compositional problems different from informational hypertexts and web sites one consults to gather bits of information. The issues of linking and of author/reader balance are similar to those in more literary hypertext, but have their own twists."
- [[http://www.dkolb.org/twin.media.ht04/twinme_1/bookandh/alargear.html | A Large Argumentative Hypertext]]. Kolb. "Large, argumentative "single-author hypertexts that link to themselves" (Carter 2000, 86) pose compositional problems different from informational hypertexts and web sites one consults to gather bits of information. The issues of linking and of author/reader balance are similar to those in more literary hypertext, but have their own twists."
Deletions:
- [[http://www.dkolb.org/twin.media.ht04/twinme_1/bookandh/alargear.html | A Large Argumentative Hypertext]]. Kolb. Can hypertext articulate argument? What happens to argument in a nonlinear text?
Additions:
- [[http://www.dkolb.org/twin.media.ht04/twinme_1/bookandh/alargear.html | A Large Argumentative Hypertext]]. Kolb. Can hypertext articulate argument? What happens to argument in a nonlinear text?
- [[http://www.thejewsdaughter.com/ | The Jew's Daughter]]. The Jew's Daughter is an interactive, non-linear, multi-valent narrative, a storyspace that is unstable but nonetheless remains organically intact, progressively weaving itself together by way of subtle transformations on a single virtual page.
- [[http://www.thejewsdaughter.com/ | The Jew's Daughter]]. The Jew's Daughter is an interactive, non-linear, multi-valent narrative, a storyspace that is unstable but nonetheless remains organically intact, progressively weaving itself together by way of subtle transformations on a single virtual page.
Deletions:
- [[http://www.thejewsdaughter.com/ | The Jew's Daughter]]
Additions:
-
- [[http://www.desvirtual.com/thebook/english/shelf.htm | The Book after the Book]]: The Book after the Book is a hypertextual and visual essay about cyberliterature and the net_reading/writing_condition. Its main focus is non-linear narratives, which reconfigure the literature/book relationship starting from the very notion of volume. Works that provide programming language a textual appraisal, creations that resort to videographic procedures in literary construction and play on the passivity and participation of the reader.
- [[http://www.desvirtual.com/thebook/english/shelf.htm | The Book after the Book]]: The Book after the Book is a hypertextual and visual essay about cyberliterature and the net_reading/writing_condition. Its main focus is non-linear narratives, which reconfigure the literature/book relationship starting from the very notion of volume. Works that provide programming language a textual appraisal, creations that resort to videographic procedures in literary construction and play on the passivity and participation of the reader.
Deletions:
Additions:
Selection from
Deletions:
No Differences
Additions:
=== for++ Apr 5++ Apr 12 ===
Deletions:
=== for Apr 12 ===
Additions:
- from [[http://erhetoric.org/WebWritingAndDesign/images/Nelson%20-Computer-Lib-Dream-Machines%20pages%20118%20-%20120.pdf | Literary Machines]]. PDF.
Additions:
- [[http://scalar.usc.edu/anvc/the-knotted-line/index | The Knotted Line]]
Deletions:
Additions:
- [[http://www.newmediareader.com/book_samples/nmr-21-nelson.pdf | from Computer Lib / Dream Machines]]. Nelson. PDF. Skim this (use search) for what Nelson says about hypertext, stretch text, thinkertoys.
Deletions:
Additions:
- [[http://www.newmediareader.com/book_samples/nmr-21-nelson.pdf | from Computer Lib / Dream Machines]]. Nelson. PDF
Deletions:
Additions:
This last unit of discussion is about web-based hypertext: reading the digital born(e).
Notes: You know the routine by now.
=== for Apr 5 ===
=== for Apr 12 ===
pending
=== for Apr 19 ===
pending
----
----
CategoryExercise CategoryReading
Notes: You know the routine by now.
=== for Apr 5 ===
=== for Apr 12 ===
pending
=== for Apr 19 ===
pending
----
----
CategoryExercise CategoryReading
Deletions:
-
- [[http://blog.tedgoranson.com/filmsfolded/story_places_placestorie.html | Ted Goranson - Personal Blog]] in stretch text
- [[http://kairos.technorhetoric.net/11.1/binder.html?topoi/kalmbach/index.html | Reading the Archives:
Ten Years on Nonlinear (Kairos) History]], Jim Kalmbach
Additions:
Rarely do we encounter a work that is node-and-link construction, and little has been done with how to work with reading sequences, node content, internal navigation, genres, reading.
This last unit of discussion is about web-based hypertext: reading the digital born(e).
This last unit of discussion is about web-based hypertext: reading the digital born(e).
Deletions:
On the web, it's represented as links.
Additions:
- [[http://kairos.technorhetoric.net/11.1/binder.html?topoi/kalmbach/index.html | Reading the Archives:
Ten Years on Nonlinear (Kairos) History]], Jim Kalmbach
Ten Years on Nonlinear (Kairos) History]], Jim Kalmbach
Additions:
- [[http://blog.tedgoranson.com/filmsfolded/story_places_placestorie.html | Ted Goranson - Personal Blog]] in stretch text
Additions:
Most of what we encounter as hypertext on the commercial web are print-established genre that have been re-tooled with hyper-textual elements: the news story with embedded links, the article with embedded links, the blog post (adapted from a cross between journal entry and occasional essay) with embedded links, the seed catalog - with embedded links. Writing advice addresses where to place links, how to word them, what to link to - most with the central purpose of consumption of text.
Rarely do we encounter a work that is node-and-link construction, and little has been done with how to work with reading sequences, node content and
Rarely do we encounter a work that is node-and-link construction, and little has been done with how to work with reading sequences, node content and
Deletions:
Rarely do we encounter a work that is node-and-link construction.
Much of the work with web content is about composing, arranging, and linking nodes: how big should
Additions:
- [[http://www.thejewsdaughter.com/ | The Jew's Daughter]]
- [[http://www.yorku.ca/caitlin/waves/navigate.html | These Waves of Girls]]
-
-
- [http://scalar.usc.edu/anvc/the-knotted-line/index | The Knotted Line]]
- [[http://www.desvirtual.com/thebook/english/shelf.htm | The Book after the Book]]
- [[http://digitalhumanities.org:3030/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-5-4&toc.depth=1&toc.id=ss1-5-4&brand=9781405148641_brand | Reading on the Screen]], Vandendorpe
-
- [[http://www.yorku.ca/caitlin/waves/navigate.html | These Waves of Girls]]
-
-
- [http://scalar.usc.edu/anvc/the-knotted-line/index | The Knotted Line]]
- [[http://www.desvirtual.com/thebook/english/shelf.htm | The Book after the Book]]
- [[http://digitalhumanities.org:3030/companion/view?docId=blackwell/9781405148641/9781405148641.xml&chunk.id=ss1-5-4&toc.depth=1&toc.id=ss1-5-4&brand=9781405148641_brand | Reading on the Screen]], Vandendorpe
-
Additions:
While sequential text is the outcome of the codex, non-sequential text is the digital native of the screen. Node and links.
Most of what we encounter as hypertext on the commercial web are print-established genre that have been re-tooled with hyper-textual elements: the news story with embedded links, the article with embedded links, the blog post (adapted from a cross between journal entry and occasional essay) with embedded links, the seed catalog - with embedded links. Writing advice
Rarely do we encounter a work that is node-and-link construction.
Much of the work with web content is about composing, arranging, and linking nodes: how big should
On the web, it's represented as links.
Most of what we encounter as hypertext on the commercial web are print-established genre that have been re-tooled with hyper-textual elements: the news story with embedded links, the article with embedded links, the blog post (adapted from a cross between journal entry and occasional essay) with embedded links, the seed catalog - with embedded links. Writing advice
Rarely do we encounter a work that is node-and-link construction.
Much of the work with web content is about composing, arranging, and linking nodes: how big should
On the web, it's represented as links.