Revision history for TheBookAsInterfacePart2


Revision [636]

Last edited on 2016-09-12 10:25:05 by MorganAdmin
Additions:
The full interface of [[http://luckysoap.com/andbyislands/ | and by islands I mean paragraphs]].


Revision [635]

Edited on 2016-09-12 10:23:44 by MorganAdmin
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Revision [634]

Edited on 2016-09-12 10:22:34 by MorganAdmin
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Revision [633]

Edited on 2016-09-12 10:21:56 by MorganAdmin
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Revision [632]

Edited on 2016-09-12 10:21:39 by MorganAdmin
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Revision [631]

Edited on 2016-09-12 10:20:47 by MorganAdmin
Additions:
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Revision [630]

Edited on 2016-09-12 10:17:29 by MorganAdmin
Additions:
- Emerson, //Reading Writing Interfaces//, chap 1: "Indistinguishable from Magic."
Deletions:
- Emerson, //Reading Writing Interfaces,//, chap 1: "Indistinguishable from Magic."


Revision [629]

Edited on 2016-09-12 10:14:35 by MorganAdmin
Additions:
Read / explore / consider / make notes on these. They may not work on a tablet, and a few require flash. Your task is to work with the interface so use the best computer you can (largest screen, fastest processor). You will have to click around, follow links, explore. These are not passive texts
Deletions:
Read / explore / consider / make notes on these. They may not work on a tablet, and a few require flash. Your task is to work with the interface so use the best computer you can (largest screen, fastest processor).


Revision [628]

Edited on 2016-09-12 10:12:06 by MorganAdmin
Additions:
Read / explore / consider / make notes on these. They may not work on a tablet, and a few require flash. Your task is to work with the interface so use the best computer you can (largest screen, fastest processor).
Deletions:
Read / explore / consider / make notes on


Revision [627]

Edited on 2016-09-12 10:09:49 by MorganAdmin

No Differences

Revision [626]

Edited on 2016-09-12 10:09:41 by MorganAdmin
Additions:
For the week of Sep 18, we'll look at examples of what Drucker gets at by demonstration for print in //Diagrammactice Writing,// and by argument and exposition in //Graphesis//: How interface shapes reading and interpretation.
Deletions:
For next week l, we'll look at exempla of what Drucker gets at by demonstration for pring in //Diagrammactice Writing,// and by argument and exposition in //Graphesis.//


Revision [621]

Edited on 2016-09-12 09:02:56 by MorganAdmin
Additions:
Spend at least an hour with each of these. Keep notes on how - physically - you are reading them and how that reading is shaping interpretation of them.
Deletions:
Spend at least an hour with each of these.


Revision [620]

Edited on 2016-09-12 09:02:01 by MorganAdmin
Additions:
- [[http://www.yhchang.com | YOUNG-HAE CHANG HEAVY INDUSTRIES]]. //Dakota//
Deletions:
- [[http://www.yhchang.com | Y0UNG-HAE CHANG HEAVY INDUSTRIES]]. //Dakota//


Revision [619]

Edited on 2016-09-12 09:01:34 by MorganAdmin
Additions:
- [[http://www.yhchang.com | Y0UNG-HAE CHANG HEAVY INDUSTRIES]]. //Dakota//
Deletions:
- Dakota


Revision [618]

Edited on 2016-09-12 08:47:26 by MorganAdmin
Additions:
Scholars or creative writers may still have some retraining ahead to think differently about texts in electronic spaces, using their capacities to shape discourse, but as the conceptual habits shift, the technological support struc- tures develop. Diagrammatic writing that integrates human and machine protocols of composition is emerging, and with it, the need to specify its critical properties. 181
Deletions:
Scholars or creative writers may still have some retraining ahead to think differently about texts in electronic spaces, using their capacities to shape discourse, but as the conceptual habits shift, the technological support struc- tures develop. Diagrammatic writing that integrates human and machine protocols of composition is emerging, and with it, the need to specify its critical properties.


Revision [617]

Edited on 2016-09-12 08:47:05 by MorganAdmin
Additions:
For next week l, we'll look at exempla of what Drucker gets at by demonstration for pring in //Diagrammactice Writing,// and by argument and exposition in //Graphesis.//
Re-read Drucker, from //Graphesis// where she argues that digital graphic armatures (structures) demand new interpretive strategies.
Scholars or creative writers may still have some retraining ahead to think differently about texts in electronic spaces, using their capacities to shape discourse, but as the conceptual habits shift, the technological support struc- tures develop. Diagrammatic writing that integrates human and machine protocols of composition is emerging, and with it, the need to specify its critical properties.
Deletions:
For next week l, we'll look at exempla of what Drucker is hinting at.
Re-read Drucker, from Graphesis. where she argues that digital graphic armatures (structures) demand new interpretive strategies.
Scholars or creative writers may still have some retraining ahead to think differently about texts in elec- tronic spaces, using their capacities to shape discourse, but as the conceptual habits shift, the technological support struc- tures develop. Diagrammatic writing that integrates human and machine protocols of composition is emerging, and with it, the need to specify its critical properties.


Revision [616]

Edited on 2016-09-12 08:45:10 by MorganAdmin
Additions:
===== The Book as Interface, Part 2=====
Deletions:
===== The Book as Interface, Part 2====


Revision [615]

Edited on 2016-09-12 08:44:59 by MorganAdmin
Additions:
For next week l, we'll look at exempla of what Drucker is hinting at.
Re-read Drucker, from Graphesis. where she argues that digital graphic armatures (structures) demand new interpretive strategies.
Scholars or creative writers may still have some retraining ahead to think differently about texts in elec- tronic spaces, using their capacities to shape discourse, but as the conceptual habits shift, the technological support struc- tures develop. Diagrammatic writing that integrates human and machine protocols of composition is emerging, and with it, the need to specify its critical properties.
We are learning to read and think and write along rays, arrays, subdivisions, and patterns of thought. How can the flexible morphology of screen display enable framing, en- framing, embedment, entanglement, hierarchy, listing, and other schematic strategies of composition? 189
Emerson takes up the argument in her opening chapter by looking at works that make the digital interface visible (think what Drucker did in //Diagrammatic Writing//).
Read
- Emerson, //Reading Writing Interfaces,//, chap 1: "Indistinguishable from Magic."
And we'll take a look at how to read and interpret the material presented in a digital interface.

Read / explore / consider / make notes on
- [[http://luckysoap.com/andbyislands/ | and by islands I mean paragraphs]], Carpenter.
- [[http://luckysoap.com/alongthebrinybeach/ | Along the Briney Beach]], Carpenter.
- [[http://world.std.com/~raparker/exploring/thewasteland/explore.html | Exploring The Wasteland]], a scholarly hypertext.
- [[http://www.thejewsdaughter.com | The Jew's Daughter]], Judd Morrissey.
- [[http://collection.eliterature.org/2/works/nelson_game.html | Game, game, game, and again game.]], Jason Nelson
Spend at least an hour with each of these.
In class
- Dakota
Deletions:
For next week l, we'll look at exempla of what Drucker is hinting at
Carpenter
- [[http://luckysoap.com/andbyislands/ | and by islands I mean paragraphs]]
- [[http://luckysoap.com/alongthebrinybeach/ | Along the Briney Beach]]
-
- Dakota
- wasteland hypertext
- jews daughter
- game, game, game, and again game
- emerson, chap 1
the adapted
we can see the interface when we start to adapt it: And by islands, and Briny Beach
jew's daughter


Revision [614]

The oldest known version of this page was created on 2016-09-12 08:26:37 by MorganAdmin
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